Investiture Ceremony: Only forKnights & Dames under the tradicional rules of knighthood of the Spanish King Alfonso X the Wise (XIII century) in a medieval Castle.
Christians, Jews and Muslims all lived in medieval Spain, and have been described as a brilliant model of tolerance and inter-faith cooperation.
Click on the picture to enlarge The Accolade Eleanor of Aquitaine and her son Richard The Lionheart
In the Middle Ages , the accolade (or dubbing ) was the central act in the rite-of-passage ceremonies conferring knighthood.
The accolade is a ceremony to confer knighthood that may take many forms including, for example, the tapping of the flat side of a sword on the shoulders of a candidate or an embrace about the neck.
In the first example, the "knight-elect" kneels in front of the monarch on a knighting-stool when the ceremony is performed. First, the monarch lays the flat side of the sword's blade onto the accolade's right shoulder. They then raise the sword gently just up over the apprentice's head and places it then on his left shoulder. The new knight then stands up after being promoted, and the King or Queen presents him with the insignia of his new order.
There is some disagreement amongst historians on the actual ceremony and in what time period certain methods could have been used. It could have been an embrace or a slight blow on the neck or cheek. In knighting his son Henry, with the ceremony of the accolade , history records that William the Conqueror used the blow.
The blow when first utilized was given with a naked fist. It was a forceful box on the ear that one would remember. This was later substituted for by a gentle stroke with the flat part of the sword against the side of the neck. This then developed into the custom of tapping on either the right or left shoulder or both, which is still the tradition in Great Britain today.
An early Germanic coming-of-age ceremony, of presenting a youth with a weapon that was buckled on him, was elaborated in the 10th and 11th centuries as a sign that the minor had come of age. Initially this was a simple rite often performed on the battlefield, where writers of Romance enjoyed placing it. A panel in the Bayeux Tapestry shows the knighting of Harold by William of Normandy, but the specific gesture is not clearly represented. Another military knight (commander of an army), sufficiently impressed by a warrior's loyalty, would strike a fighting soldier on the head or his back and shoulder with his hand and announce that he was now an official knight. Some words that might be spoken at that moment were Advances Chevalier au nom de Dieu .
The increasingly impressive ceremonies surrounding adoubement figured largely in the Romance literature, both in French and in Middle English, particularly those set in the Trojan War or around the legendary personage of Alexander the Great.